Monday, 26 December 2011

Conservative Architecture and Planning


Conservative Architecture and Planning

Since the end of World War Two, Britain’s towns and cities have been transformed for the benefit of local councils and commerce. Grievous damage was done by Luftwaffe bombs, but the Nazis were outdone in gratuitous destruction by postwar urban planners.
After the war, a sense of shame at our past and achievements became widespread amongst the intelligentsia, and led to an ineluctable weakening of our national identity. Our elites began wittingly and unwittingly to dismantle the very idea of England. Social engineering started to be used in architecture and planning as much as in education and entertainment. Its aim was to change the physical and mental environment, and thereby change people, who were seen as plastic and malleable. The theory was that planned council estates could change people for the better.
Marxism was fashionable and in 1938, Leeds City Council built Quarry Hill Flats to commemorate the Marxist insurrection against the government in Karl Mark Hof, Vienna in 1934. It was the largest housing scheme in the country and used the latest ideas and techniques. The flats had solid fuel ranges, electric lighting, the latest refuse disposal system and communal facilities. (The steel frame and concrete clad construction was faulty, and the flats had to be demolished in 1978.)
Park Hill in Sheffield was another Marxist utopian development. These flats were opened in 1962 and are now listed. They are representative of the “Streets in the Sky” fad. The idea was that of artificial “streets” built outside the front doors of tower block flats. It was envisaged that milk floats would go up in service lifts and on to the ‘streets’, make their deliveries and go back into the service lift and on up to the next floor. (Deliveries were stopped when a child was knocked over and killed by a float.)
In most of these schemes, there was great emphasis on pedestrian movement, as envisaged in Corbusier’s theoretic “Radiant City”or his “Unite” development in Marseilles.
The new town of Skelmersdale was designed to separate vehicles from pedestrians with a system of courtyard layouts and cul-de-sacs emerging off spine streets, which led to disproportionate costs in street cleaning, refuse collection, ground and street furniture maintenance and, particularly, policing. It was built on an old coalfield and around a series of deep clefts in the moor side that go down into the middle of the town, which means that extensive ground remediation and stabilisation was and is required for any construction.
It was built using innovative and experimental techniques – but these were deeply flawed, requiring expensive remedies. Many houses had central heating outlets in the ceiling. The fact that heat rises was ignored, so the bedrooms were heated moderately well but not the downstairs rooms. And it is possible to punch a hand through walls because the houses’ metal frames are corroded and the concrete slabs have collapsed.
Local communities were dispossessed for such gimcrack schemes. The theory was from the Corbusian model of “uniformity in the part, variety in the whole,” which was necessary to produce the “house machine” or “A machine for living in”? This phrase says it all: treating people as machines.
As well as the vague but generic desire to change society, there were more direct motives for such grandiose developments. For example, trade unionists on Sheffield council wanted to create municipal socialism and get back into power (1), by creating a new class of grateful client voters. Businesses also usually preferred to build anew rather than rebuild or restore, as re-development usually offers higher returns than conservation. There were often baser motives. In The History of Halesowen (2004), Julian Hunt relates how in the late 1950s and early ‘60s when the historic town centre was demolished for a concrete shopping centre, three of the local councillors were builders, and a fourth a demolition contractor.
For all these reasons, a plethora of radical new municipal building swept across the country from the 1950s onwards – schools, hospitals, offices, civic centres, entertainment and sports venues, shopping parades, shopping malls, new road schemes and street furniture, apartment tower blocks to house tenants whose ‘slums’ had been bombed or condemned as unfit for habitation. Whole new towns were created, like Stevenage, Corby and Cumbernauld, and historic towns such as Peterborough altered radically by vast, bland and often jerry-built new housing estates for ex-slum-dwellers. These schemes looked exciting in the plans but in practice turned out usually to be ugly, expensive and inefficient. At least some of the ‘slum clearance’ may not have even have necessary. Norman Dennis, told me in private correspondence, that In 1970, “Four out of every ten families living in the 1965-70 clearance areas were very satisfied with their present living conditions, in some areas the proportion was as high as six out of every ten. Two out of three owner-occupiers were not in favour of demolition.” But it went ahead anyway. The ruling mentality was well expressed in 1950 by the Labour minister for Town and Country Planning, Lewis Silkin: “It is necessary to lead the citizen – guide him. The citizen does not always know exactly what is best”.
Hackins Hey, for example, was a quaint by-way in Liverpool with small shops dating from the 18th century. But to planners and councillors it was only history and so it was destroyed overtime for a railway station that was not built. What little remains of Liverpool’s unique character and community spirit is still under threat. In 2005, the government issued a directive to destroy 20,000 habitable homes in Liverpool (and thousands more elsewhere), to be replaced by largely executive-style homes beyond the economic reach of dispossessed locals. Whole Liverpool neighbourhoods are still being flattened and their often unwilling communities compulsorily dispersed.
To see a ruined city, go to Coventry. The bus station is cold, drab, dirty and unwelcoming and just outside there is a piece of modern art to commemorate Frank Mitchell, inventor of the jet engine, that looks like four waste disposal chutes poking up into the air then coming down again. It suffered some of the worst German bombing of the war, as a result of which the word “Coventration” passed into the German language. But after the war, it was still an English medieval town - then the council got to work on it. There are still some outstanding buildings but they are lost in a welter of ugly concrete buildings.
Two plans for redevelopment were submitted: one proposed by the city engineer, E H Ford, would have re-created the old city centre using the existing street lines; the other, the plan of city architect Donald Gibson, was the one adopted. Based on completely new street lines with pedestrian shopping precincts, it was seen as a great opportunity to create an ultra-modern city centre based on entirely new thinking and almost erasing the past. The centre of Coventry had had congestion before the war in its narrow medieval streets and the bombing gave the council an excuse to sweep it all away. The development soon dated and it is now generally regretted that most of the city’s history has been erased, as it is now recognised that history attracts tourists. They could have rebuilt it as it was, as in cities like Budapest.
Exeter was recently voted the most “Cloned” town in England, but before the war it was beautiful, and though wartime bombing hit some excellent buildings they could have been rebuilt on the old plans - but the council had them replaced in the modern style. In 1940 German radio announced, “Exeter was a jewel. We have destroyed it.” They had not. It could easily have been rebuilt.
The City Council commissioned a town-planning consultant, Thomas Sharp, to prepare a redevelopment plan for the reconstruction of the city. The plan was published as “Exeter Phoenix”. Bedford Circus, was damaged, it had been one of the most impressive examples of unified urban 18th century architecture in England but the council destroyed it and Princesshay turned into a pedestrian shopping precinct which was redeveloped again in 2005 into shopping and leisure complex which manages our time. Sharp believed buildings that “will best stand the test of time will be those which show no stylistic tricks at all but which depend for their effect on being clean, well proportioned and honest”. He had it the wrong way round.
Pictures of old Birmingham(England) show a fine Victorian city with buildings like Snow Hill station, which was like a cathedral in its design and detail, The Woodman, a glorious Victorian pub, and the old library to see the wanton destruction so often perpetrated by local authorities. The Bull Ring shopping area was redeveloped in the 1960s, and was so ugly, so unpopular and so badly constructed that it has all just been redeveloped again (not entirely successfully, although it is an improvement). In 1971, Liverpudlian sculptor Arthur Dooley presented a statue of a town planner to Birmingham Council - a little man in pinstriped trousers and a bowler hat with a key in his back. The council no loger have it!
In the 1960s, one Shrewsbury councillor wanted the entire historic town centre dismantled and rebuilt outside the town so a shopping centre could be built in its stead. Thankfully, he was overruled. Yet the council has wasted many fine buildings, such as the beautiful String of Horses pub, which was removed in 1969 to make way for a traffic roundabout. (It was reconstructed at the Avoncroft Museum of Historic Buildings in Bromsgrove.)
In 1968, the 140 year old London Bridge had started to sink into the Thames. Instead of trying to rescue it, the Corporation of London sold it for US$2.5m. American entrepreneur Robert P McCulloch had the bridge dismantled and sent by barge to California, where it was rebuilt at Lake Havasu. Near the bridge is an “English Village” which pays homage to our culture, while here our authorities are destroying it. It has Tudor-style architecture, and the shops and restaurants create the atmosphere of ‘Olde England’, with tree-lined walkways and local breweries for hand-brewed ale.
An example of what our towns and cities could and should be like is Cambridge. It is a human-scale city, where Roman roads and walls can still be seen, along with the Saxon church of St Bene’t’s, the Romanesque Church of the Holy Sepulchre, university buildings from the early 13th century, the awe-inspiring 15/16th century King’s College Chapel and many characterful later houses and cottages, which do not imitate American models or make people feel insignificant. The beautiful, historic buildings give residents not just civic pride, but also a sense of being part of something that transcends themselves, uniting them with something deeper and bigger than the present moment. This respect for architectural tradition, be it noted, runs in parallel with an international reputation not just for academic excellence, but also the cutting-edge technology of Cambridge’s so-called “Silicon Fen”.
In much modern architecture, everything is streamlined - flat surfaces and geometric shapes without the ornamentation that lends character and beauty to so many older buildings. So-called ‘rational’ architecture eschews tradition and local and national vernacular styles and materials, leading to conformity and an artificialism that make people feel out of place. It is impossible to love tower blocks or office buildings built along these lines, or places dominated by such buildings.
This is not just a matter of aesthetics; it is about our very identity, which is the reciprocal relationship between people and the places in which they live. Building on what we have in a similar scale and style maintains continuity and helps to focus culture and identity. National and local governments alike are destroying places that are sanctioned by time and use, where communities have grown up and grown together instinctively.
People’s natural bonding instincts are increasingly thwarted by buildings that separate them from one another and are not physically conducive to developing community spirit - the sense of belonging and of knowing with whom you belong.
Canadian Plains Indians, the Innu, were moved by government into specially built estates. The Innu were effectively forcibly transformed into Canadians, just as Britons are being forcibly transformed into ‘citizens of the world’. Like us, the Innu are having their past erased and are being offered nothing for the future – despair has set in, as it is setting in on Britain’s sink estates. One important difference is that the Innu have been dispossessed by a different ethnic group(Canadian Globalists), whereas we are being dispossessed by our own elected representatives(British Globalists). In many young Innu, their deculturation manifests in drug and alcohol abuse and petty crime. More and more of Britain’s young people are similarly aimless, lacking in self-respect, without tradition or a sense of being part of something. Many of them have likewise started to prey on their own people. There have always been people at the bottom of the pile, but they used to develop within a cultural tradition to which they belonged, albeit peripherally. Most Young people do not misbehave out of endemic wickedness, but because they have been decultured. Thanks to a combination of social, cultural, political and now environmental pressures, many young people in this country have been effectively estranged from Englishness, severed from civilizing structures that their ancestors could take for granted. Buildings need to develop from traditions and renew those traditions with the sense of familiarity to helping civilise young people and minimise the viscious crimes we now have.
Local councillors are only elected by a minority of voters and are not therefore fully representative of the public. We need an office appointed by the Crown like a lord lieutenant with responsibility for protecting communities not factions of it. The Office of the Lord-Lieutenant dates from the 16th Century and has the force of tradition behind it at a time when we are victims of unrestrained change for profit at our communities’ expense.
The Lord Lieutenant is apart from local politics in the County and is interested in all aspects of life - voluntary and business, statutory and social and cultural. This office could be expanded into a Royal representative to appoint local authorities with responsibility for maintaining the continuity of local areas and communities.

DAVID HAMILTON

NOTES

1. Farewell to Yorkshire, Roy Hattersley.

See
People and Planning: The Sociology of Housing in Sunderland, Norman Dennis, Faber & Faber, 1970
Planning and Urban Change, S V Ward, Paul Chapman, 1994

Monday, 28 November 2011

The Conservative Idea of Architecture: Conservation and Restoration


Progressives assume that I am opposed to change. I am not: I suggest change should grow out of what has developed through time not spring out of the blue, as it were, like incongruous eruptions ruining the ambience of whole areas. “You can not turn the clock back”, they moralise. What have clocks got to do with it? That harks back a couple of centuries to when God was seen as the watchmaker who had wound a clockwork universe up and left it to run.
Progressives still see the world as a machine. Le Corbusier thought of building houses as building machines for people to live in. His Villa Savoye is exemplary of his goal to create a house which would be a "machine a habiter," a machine for living (in). Houses that have grown out of tradition have a quality called “homeliness that is in softer interior angles and allows people to enjoy living in them by gathering in some rooms but having rooms to attend to personal business separate. Villa Savoye illustrates Le Couturier’s "five points" of new architecture and is a foundation of modern architecture, and the International style that came to dominate.
Even functional buildings can be awe-inspiring like the Houses of Parliament which was built for debating issues of state; but its design raised above mere function and conveys the solemnity and respect for the business of state. It is more than a square lump of concrete. (1)
There is an affective view of society as an organic arrangement that derives from Aristotle, the first Conservative. In Politics he spoke of the city as a natural community. It is an organic whole rather than a machine and the whole is harmed by destroying parts. In the architectural and town planning context, demolishing fine and beautiful buildings and replacing them with cold and ugly buildings, undermines the quality and identity of the whole town or city. Aristotle described men and women as political animals but, more accurately, they are communal beings and need to belong to a family and community. Contemporary architecture both commercial and domestic is helping break the bonds which create living communities.
Lock’s atomising view of society as an aggregation of independent, autonomous individuals has caused much self-deception because we are not abstract individuals but flesh and blood men and women who need traditional and historic communities; our culture once shaped by religion is now shaped by a Global ideology of Corporatism driven by oligarchs.
People like to describe themselves as individuals because it flatters their egos but in practice they need others: friends, to talk to and to share with, a family to return to when hurt or distressed and a a partner when they leave childhood behind and want children of their own. This is a natural stage in life as they want an external sign of their togetherness and they grow naturally into that state. Architecture is a part of that affective side of life. It is not a distant artistic activity like knocking up a couple of watercolours, it is central to our lives. These are emotional, affective experiences not products of reason.
Within the organism new buildings should be in keeping with the character of the places they are added to; the character, traditions and identity should be honoured and new buildings developed from that. This is applying practical thinking, instead of abstract thinking.
It is part of an understanding of the universe which values the numinous things over the cold and soulless.
The contemporary ethos is secular and nihilistic and people believe in nothing but themselves and self-gratification. We need a belief in service and self–sacrifice, belief in belonging to a greater whole; but what we have is self-fulfilment in things. Into this emptiness pours the gratifications of the selfish and to the powerful their own aggrandisement. This is secular nihilism. Those in authority feel they owe nothing to the past but contempt; the opinion formers and populariser's in the colleges and the media inculcate that negativity into the population. Contemporary architecture is part of that.
The incongruous developments all round St. Paul’s Cathedral undermine the whole and the local authorities knew this when they granted planning permission so we must assume they wanted to degrade St. Paul, a national symbol. If the authorities thought they could get away with it they would knock St. Paul's down for a shopping mall; but it brings in a lot of revenue from tourism.
Our towns and cities are being changed into something completely different without the consent of the people. Cityscapes are ceasing to belong to local people and being turned into futuristic muddles, disjointed from history and traditions with the character changed. This is imposed, but should be democratically voted for.
Restoration House in Rochester is two medieval buildings joined in the late16 or early 17c and is an example of a city mansion. King Charles I sojourned there on the eve of The Restoration, whence its name. It is Miss Haversham’s home, Satis House, in Great Expectations. It was left empty when the owner went bankrupt. The council were going to knock it down for a car park but thankfully a banker rescued it. During a development for apartments next door a Tudor wall was discovered. Immediately the developer demolished about 10m before they could be stopped by English Heritage who listed it as a Grade 2 construction. The developer had not undertaken an archaeological survey which was a condition of the planning consent. This saga is still going on.
Rochester High Street, has wide pavements and old-style lamp posts. It is unique for the absence of the usual High Street retailers. The shops are small and not attractive to national retailers so it has a large number of traditional shops and many are family-owned and offer a personalised service to customers. Rochester High Street is an educational contrast to the mess made of both Chatham and Gillingham High Streets. Gillingham does have a conservation area in Brampton with some fine Georgian houses in Mansion Row; but the changes to Gillingham since the 1970's are depressing.
The old Theatre Royal in Chatham High Street was smothered in polythene and scaffolding for a long time but once the bulldozers had finished it had gone.
Nearly opposite the Old Theatre Royal is a repellent nine-floor Tax Office. This overlooks the river and blights the view. Another monstrosity is the Pentagon shopping centre which holds within its confines, Mountbatten House: another ugly multi-storey building. This hideous thing blocks the view of the river from the top of Chatham Hill. There was a rumour that the same type of bricks used to build Mountbatten House were to be found in the extensions erected on houses owned by councillors. It was empty for a long time after it was built and one wonders why it it was given planning permission.

The centre of Chatham has been carved up by a one way system and many shops are empty as they cannot compete with the out of town shopping centres.
The numinous is a feeling of, or a need for, the sacred, the holy, and the transcendent. This need is the basis of a the yearning for beauty, awe, grandeur in public buildings; in housing schemes it manifests as a need for community, neighbourhood and its concomitant, mutual support. It is in this numinous aspect of life that people seek community and through this identity, a sense of belonging, a connection with their origins and thus happiness. In practice these ideals fall short but they are worth striving for, and give life meaning in what is being made into an empty world.
In Tewkesbury there is a row of restored timber framed buildings on Church Street which were built in 1480. These house a museum named after local writer and early conservationist John Moore, and an open house that people can walk around and get the feel of how a Tudor family lived. The rest, though, are private dwellings and thus a living tradition. This is continuity in practice.
Our cathedrals provide a strong sense of continuity: a thread through history which locates us in space and time. It is well to keep an image of the beauty of cathedrals in mind when viewing Global skyscrapers. The character and identity is in the whole but the parts convey the same. Take the cloisters of Gloucester cathedral where great beauty is created by the beautiful fan vaulting that was developed in the 1300s by the masons. These were completed no later than 1412 and their beauty still transcends and mystifies us. We stand fascinated before it. It provides a spiritual experience in itself. The numinous quality is in the decoration and ornamentation, which was done in the service of something higher, something sacred and transcendent – God.
A commenter remarked that under my ideas the Eiffel Tower would not have been allowed. That maybe so--you can not allow for every possible occurrence, but, there would not be this widespread ruining of the characters, histories and identities of towns and cities throughout the world; the deculturation caused by standardised international buildings. (2)
For a conservative, conservation includes not only the natural environment but also the social community which needs traditional culture as a spine to hold it together. Conservatism is not a body of theory but a disposition to maintain the culture and community of one's society. It is a temperament with an an appreciation of the numinous things in life from religion to meaningful buildings.
Roger Scruton dismissed the organic as a metaphor but language originates in metaphor as we try to describe the world around us and because objects have no intrinsic names. To say the world is a machine is also a metaphor. There is a discernible Traditional Conservative approach to town planning and architecture that we are developing.
American conservatives tend to be more abstract than their British counterparts because their origins were in the dawn of the Liberal era. Brett Stevens of Amerika.org has original views on architecture and conservation which is an American variant but part of the same general movement. (3)
Tradition develops with additions but these should be within pre-existing parameters and should be harmonious and balanced. Contemporary schemes demolish whole areas and break the tradition by not fitting into their surroundings and make whole areas disjointed muddles. This adds to the deculturation of local people who cease to feel they belong. This not the “shock of the new.” This is the dissociation of communities by incongruous building.
When architecture grows from tradition, local people, especially the young, are better adjusted and happier. Conversely, there is a syndrome of social, cultural, political and environmental pressures that are dissociating people from their communal identity, severing them from traditional civilizing structures that their ancestors could take for granted and leaving them feeling out of place and angry towards their social environments.
Those who react to the alienness of contemporary buildings often resort to discussing architecture in aesthetics terms, but it is more than that; it embodies our history and represents where our forebears were born and raised which links local people to their roots; contemporary planning and architecture atomises communities. Our town and city centres are being changed from the welcoming places of historic buildings, into cold, unwelcoming areas. Historic buildings draw one into the culture and community but contemporary buildings repel and push people out dissociating them from the community.
Initially, the modern person was optimistic and had a sense of release from prejudices but this has left people bereft and with a sense of loss. They respond by forming artificial communities like gangs and prey on other people. Modern rationalism and architecture are part of what had liberated people from closed societies but the eradication of old restraints through a vision of a society where the parochialisms and animosities of a world founded upon kinship, village, and church would be abolished, brought loss of culture and community which caused feelings of depression and futility.
History is expressed in traditional architecture: Ghent town hall is on the site where the town's representatives and guild's men met in separate houses until they needed more room for their business when a large town hall was built in 1484. This in turn was considered too small and from 1518 until 1535 a new and much bigger town hall was constructed in late-gothic style. (4)
In 1540 Ghent refused to pay taxes to Charles V for his war with France so he subjected the town to reprisals. One third of the town hall had been erected and it was only from 1572 that they could resume building the town hall. The architectural style had changed by then and several renaissance-style parts were added until the beginning of the 18th century. In 1750 a construction in Louis XV-style was added as the seat of the 'chamber of the poor', then in the early 19th century the staircases in front of the hall were altered for a visit by Napoleon. The building embodies significant events in the town's history.
Throughout the 19th century several renovations were carried out. The original furniture of the various rooms is either still there or is held at the Bijloke museum of Ghent.
I recall an occasion when a Swedish man asked me for directions to Shrewsbury Station. He had been too much with “Bacchus and his pards” but unable to be “charioted” by them wanted to catch a train back to Leeds. I had difficult time convincing him that Shrewsbury station was a railway station - he was convinced that it was a cathedral.
The station is copybook example of appropriate building. It was opened in October 1848 for the first railway from Shrewsbury to Chester. And the architect was Thomas Penson of Oswestry. The building is unusual, in that the station was extended between 1899 and 1903 by the construction of a new floor underneath the original station building, rather than on top.
The style was imitation Tudor, and had carvings of Tudor style heads around the window frames to match the Tudor building of Shrewsbury School which is now used for Shrewsbury Library on the other side of the road. They took care that it fitted in and did not ruin the ambiance of the area as contemporary buildings do. The main building of the station is a Grade II listed building.
A view I have proposed is the rebuilding of certain awe-inspiring and important traditional buildings that have been wantonly demolished. One example is the once grand Euston railway station in London. The proposed new station is appalling and even more grotesque than the last one whereas the original was redolent of grandeur and respect for the tradition and culture it was being added to. It should be restored to what it was. (5)
A short stroll along Euston Road brings us to St. Pancras station which nearly got demolished in 1960s but, luckily, escaped and was renovated in the 2000s at a cost of £800 million. It is adjacent to Kings Cross station and near to the stunningly decorated St. Pancras Renaissance Hotel. These restorations show how respect and pride in the community can be revived. (6)
Berlin Castle is being restored. It has a beautiful baroque-style façade which incorporates the Schlüterhof and the "Kings Lodgings" in the Renaissance-part of the building at the Spree-site. This is the modern age so this is to be converted into a first class hotel with finance from the private sector but it is being recreated not completely lost.
The palace is intended to be the main tourist attraction in Berlin. Dresden Church has been rebuilt as have other historic parts of the city.
Progressives argue that the building of St. Paul’s Cathedral departed from the usual style of churches at the time and caused an uproar. That misses the point which is that was one building by a highly respected architect but the contemporary situation is the character of whole areas being changed by international oligarchs with unelected town planners and local councillors who are elected by a minority of eligible voters changing our urbiscapes into something else. That is not a strange new building but the transformation of London into something different and by imposition not democratic means.
Some European countries have preserved whole medieval towns. Sighisoara is a deeply impressive fortified town in Transylvania, Romania. The town with medieval houses is very important for European culture and history. (7) The defence system was built by medieval guilds consisted of a wall of 930 meters in length, fourteen defence towers and five artillery bastions. Nine towers, two bastions and a part of the precinct wall have been conserved. The Clock Tower became the symbol of the town.
The Council held their meetings there and the local archives and treasury were housed there. The Venetian House, named after the stone window frames built in imitation of Venetian Gothic, are from the 10th century. The Vlad Dracul House, the former Paulini house, seems to be the most ancient civil stone construction of the city. The House With Stag called after stag head fixed to the corner of the building, is a construction specific to the Transylvanian Renaissance and dates from around the 17th century.
This town links Romanians with their origins and affirms their identity. It makes them feel more Romanian. The experience of looking at the Shard, in London, is excitement but that is temporary and on the surface; the experience of looking at say say, Manchester Town Hall, is much deeper. It can range from pleasure or delight to awe and even deeper contemplations of our whole identity and place in our history.
Tallinn in Estonia has a new part and old town which has winding cobblestone lanes, iron street lamps, Gothic spires and medieval markets. It was built between the 13th and 16th centuries when it was a busy member of the Hanseatic trade league. It has colourful, gabled houses, half-hidden courtyards and grand churches. This is within a mainly intact city wall and peppered with guard towers. It links local people to their roots and consolidates their identity. (8)
Freedom Square (Vabaduse väljak) is living continuity of their history. It is from the final days of the Tsars and through Estonia's first period of independence in the Old Town it was a national symbol. It is a focus of civic pride and a popular public meeting place.
Dubrovnik on the Dalmatian coast has had tragedy: although it was badly damaged by an earthquake in 1667, its Gothic, Renaissance and Baroque churches, monasteries, palaces and fountains, have survived; it was damaged again in the 1990s in the war with Croatia and Serbia but is now being restored under the auspices of UNESCO.
Other European master-works and old towns were rebuilt as they had been before they were destroyed such as The Cloth House in Brussels and the old town in Warsaw. We need to begin this process here not to correct war damage but to repair the ruination wreaked by local councils. (9)
Birmingham has never recovered from Manzoni's depredations in the late 50s and I don't think it can without restoring some of the historic buildings that were demolished in the late 50s and early 60s. The old library with its round reading room and The Woodman pub to name but two.
A walk round Gloucester is a mixed blessing: some outstanding buildings of historic import are undermined by having repellent square blocks of concrete that pass for shops interspersed between them. I'm sure demolishing the hideous ones to restore the historic buildings would in turn restore the character and ambience of the city as a whole.
Newcastle seems chopped up. There is little harmony and balance left. This great city like Birmingham had people imprisoned for corruption in rebuilding their cities with buildings that have none of the qualities of grace, charm, grandeur of those they destroyed. A priority in Newcastle should be to rebuild Eldon Square that was demolished for a run-of-the-mill shopping centre.
World-famous historic cities like York and Cambridge have modern shops. Cambridge built the large Grafton Centre outside the city so the two can co-exist; Bristol has Cabot Circus.
In Europe grand and magnificent buildings are part of the identity and history but are also beneficial to the economy because they are also great tourist attractions. The primary motive is economic but the recreated buildings have a beneficial effect because it strengthens local community and identity. The local authorities in Coventry have realised that destroying this once beautiful medieval city for the temporary attraction of shopping malls was a mistake. Well, time to start rebuilding them. They did move several old buildings into one area called Spon Street but they need to restore many of the better ones to the rest of the city to give it some balance.
It would improve the city to demolish most of the concrete shops and offices they have. I had a meeting with the Conservation Officer of Coventry City Council three years ago but he dismissed my idea of rebuilding the many traditional buildings they destroyed -- he might think differently about it now.
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Recommended reading:
Our Culture, What's Left of It: the Mandarins and the Masses Theodore Dalrymple, 2005
The Quest for Community Robert A. Nisbit, 1953
Rationalism in Politics  Michael Oakeshott, 1948

Sunday, 30 October 2011

Global Architecture: Incongruous Excrescences

One of Edmund Burke's famous quotes from Reflections on the Revolution in France sums up the contemporary official attitude to architecture and planning: “I cannot conceive how any man can have brought himself to that pitch of presumption, to consider his country as nothing but carte blancheupon which he may scribble whatever he pleases.” This is the universal versus the particular.
I am promoting a Conservative view of architecture and town planning which advocates the design of new buildings by developing from the traditional styles that already exist in diverse towns and cities rather than forcing incongruous buildings into a round hole: the exploitation of cities across the world for a Global style of architecture. There is enough disjuncture in British urbiscapes as it is after the Second World War blitzes and sixty years of depredations by local councils without adding incongruous excrescences to it.
It is difficult to get a hearing for a non-orthodox idea. The Liberal-Marxist online journal Spiked would not use an article I wrote as an alternative view to an article praising The Shard. They complimented it but asked me to chop it down and send it as letter! Why suppress a different point of view? The catalyst was an interesting piece by Tim Abrahams. (1)
Mr. Abraham's essay is enthusiastic about skyscrapers for London and gives an insight the background to the design of The Shard. It was originally planned to be an even taller building but planning permission was refused in 2000. The developers then brought in a new architect, Renzo Piano, to get the project through because Lord Rogers, who Piano had worked with on the Pompidou Centre in Paris, was an adviser to the London mayor, Ken Livingstone, who was keen to change London.
Livingstone had also supported the plans the Royal Borough of Kensington and Chelsea Council had to redesign Sloane Square by creating two large piazzas connected with the buildings on each side of the square to replace the isolated central space. Livingstone also had plans to redesign ten of London's famous Squares. The residents of Sloane Square are highly articulate and professional people and defeated the plan. However ordinary communities have to suffer constant change and being uprooted.
Funding for The Shard is from Qatari Diar Real Estate Investment Company, who, agreed to provide a funding facility to LBQ Ltd, the Jersey registered holding company that is developing the Shard and London Bridge Place. The quantum of the loan is not disclosed.
Karl Sharro, a London based architect also mocked Prince Charles in an article for Spiked. It is a classic of modern ideological thinking and contempt for a country's traditions and the style of architecture that has developed there with the usual mocking arrogance and wild hyperbole. (2)

The Shard will be three times the height of St. Paul's Cathedral, thus cocking a snook at Prince Charles, who is a great lover of the magnificent Cathedral with its prominent dome.

The topic sentences in Mr. Abrahams article were:”the Shard is a feat of engineering and an important reminder that construction is a complex process. The revealing of the innards of the building has captured the imagination of visitors and residents of London: many have been enthralled at realising the process behind building skyscrapers, which are built around a concrete lift core."
When evaluating contemporary buildings reviewers commonly confuse engineering with architecture. The second sentence about “revealing the innards of the building” tells us it is part of a contemporary fashion.
Renzo Piano in naming the building used the term of contempt for “The Shard” coined by English Heritage, the advisory body to the government on historical preservation, his opponents, – The Shard!
Like other new skyscrapers it caters for the new rich. I am no Egalitarian but what we are seeing is the overthrow of local people and their culture and traditions for wealthy people who will not mix with them. The cost for an apartment at the tapered top of the building will be around £10million.
The contemporary fad is not only to build ugly, but silly or just ridiculous buildings that are bizarre and without character. The Selfridges building in Birmingham's Bullring Shopping Centre was voted the ugliest building in the country. It looks like a giant silver slug oozing past the Shopping Centre, and it glowers inhospitably at visitors entering the city.
These excrescences or an unattractive or superfluous addition or feature, have no lineage and grow out of no tradition but seemingly erupt like boils with no relation to the local character or the aggregate of features and traits that form the local ambience of an area and its community. A community no less than an individual has a particular nature from its past, its history, local culture and traditions. These universal buildings are growths that undermine and jar with the local ambience. They usually open with protests from local residents and calls for them to be demolished immediately.
Some examples of Global architecture: Lord Rogers', Millennium Dome (now the 02 Arena) in London, the Rock and Roll Hall of Fame in Cleveland, USA, and the Ryugyong Hotel in North Korea - these are buildings which undermine the local character of the different areas and weaken local cultures and traditions and thereby dissociate local people. The Ryugyong Hotel was unoccupied for two decades, might never have been occupied.
It has 3,000 rooms, a series of three grey 328-foot long concrete wings shaped into a steep pyramid, with 75 degree sides that rise to an apex of 1,083 feet, known as The Hotel of Doom (also The Phantom Hotel and The Phantom Pyramid). In 1987, Baikdoosan Architects and Engineers made an optimistic start but over twenty years later, despite North Korea investing more than two percent of its gross domestic product in the project, it was never occupied, opened, nor ever finished.
Global buildings are constructed in diverse communities but share common features: they are extremely expensive, most were thought to be futuristic designs, and they divide opinion amongst local residents, architects, and the wider public. They are neither popular nor respected and are mocked and given nicknames because they do not look like what they are supposed to be. They have the effect of reducing the prestige of a city and making it look odd or silly. They are exciting for a time but it is a temporary excitement, yet the loss of prestige is permanent as the cities become disjointed by piecemeal developments and the local communities dissociated. This is not the grandeur of the great cathedrals, built in a higher cause, the glory of God, which is why they pointed to the heavens; but overstatement, arrogance, built to aggrandize individuals or an architects company or by interest groups to the detriment of a town or city.
Another Global horror is The Cube in Birmingham, the traditional home of both cold and grey as well as silly buildings. It has been said that the architects who designed Birmingham were influenced by the cigarette packets and cigarette lighters they had on their desks because so many of the city's buildings were shaped like cigarette packets and cigarette lighters. The Cube self-promotion blurb bears no relation to the common perception: 

“Standing tall on the architectural world stage, The Cube, has transformed Birmingham’s skyline, raised its global profile and signifies a new era in the city’s evolution.”
 
It is instructive that these buildings always win awards. Just listen to this gushing twaddle: “inspired by the vision of award winning architect, Ken Shuttleworth, this most prestigious landmark building animates the canal side offering cutting edge design and breathtaking views in a designer neighbourhood”... apparently, its “intricate glowing tessellations blanket the exterior facade, to be admired from afar. Inside this fascinating ‘jewellery box”.
Like The Shard it aims for the new elitism – “a rich mix of slick residential apartments, exclusive retail, extensive office space, boutique hotel, private spa, a hi-tech automated car park and the city’s first rooftop restaurant reside.” Upmarket is the American term which refers to what we would in England describe as vulgar: money without taste.

The Cube is seen as “prestigious, world famous architecture such as London’s Swiss building known as ‘The Gherkin’, Hong Kong & Shanghai Bank and 55 Baker Street. A confident statement for a confident city.” To most people it just looks silly.

Architecture gives an impression of a place in people's minds. It makes a statement as they say. Birmingham was voted the ugliest city in the country in a national poll. That followed the city's Bullring Shopping Centre and Central Library being named as the number one and two ugliest buildings in the country. That was the current “Brutalist” library from 1974.
A new Library is being built but this is not so much ugly as ridiculous. It looks like Colditz wrapped in barbed wire. (3) Birmingham, it is said, used to look like Paris until the irrational scheme in the 1950s to make it an international city left it decultured and without an identity - an example to the rest of the country of what not to do.
Manchester is at it too! They have several which exemplify my point about these universal styles disjointing the overall ambience. Islington Wharf is one.
Heron Tower in London is another rupture of the character of the city and our inherited architectural traditions. It dwarfs St. Paul's Cathedral and the little Georgian church of St Botolph, Bishopsgate, and its surrounding churchyard, which are just over the road. It stands next to The Gherkin and The Cheese Grater who stand incongruous in London like The Three Witches from Macbeth.
Architect KPF designed the building which has upset people because it is another one dwarfing St. Paul's Cathedral. It is yet another skyscraper destroying London's character and presenting a muddled and disjointed skyline devoid of charm, grace and beauty but redolent with muddled and incompatible buildings. It has a 70,000 litre aquarium and what is becoming an obligatory shark. If Burj Dubai has gimmicks then these must follow suit.

St Paul's is one of the most beautiful building in London and, despite the high-rise buildings around it, you can still visualise what it would have looked like when it was built - a beautiful big Swan surrounded by ducks. London's officials are allowing the destruction of that.
In March 2007, it was stated that Heron had signed a funding deal with the State General Reserve Fund of the Sultanate of Oman to provide the equity for the development. Skanska, the firm that built The Gherkin, were main contractor.
KPF are an International architectural practice recognised for design excellence and innovation in their buildings throughout the world, with offices in New YorkLondon,Shanghai, Hong Kong, Seoul, & Abu Dhabi
One of the ugliest muddles I have ever seen is St. George's Wharf, in London. How architects can be so crass, planners be so benighted and local councillors so contemptuous of their cities, defeats me. To the contrary, St. George's website rejoices that:
”With breathtaking views and stunning apartments, shimmering on the waterfront with its fantastic architecture and design, St George Wharf is one of the most sought after riverside developments in London! “
The views may well be “breathtaking” but the architecture and design are repulsive.
There have been breaks in architectural styles when a new style takes over throughout history but these excrescences bear no relation at all to precious styles, neighbouring buildings nor the characteristic scale and are destroying the character, ambience and culture our towns and cities.
Jean Nouvel's One New Change in the City is another muddle that is ruining local character by being dumped between two historic Wren churches - St Mary le Bow and St Paul's. (4)
A standard development that has the usual high street shopping malls and a champagne bar which show the lack of imagination of planners, developers and architects. A Victor Heal building was demolished to make way for it. Like the others its has a stunning view, but only from the inside looking out. If any should make a mistake and look the other way they would be appalled.
In an interview with The Guardian, The City of London's planning officer, Peter Rees, said the shopping centre would help confirm that the City has shed its bowler-hatted image. "The City has become a much more rounded place. The quality of food available and the entertainment and leisure facilities have improved, and we're bringing shopping back to the City. It's not just a place to work any longer." It certainly is not just a place to work. It is being turned into a place with diminishing character and identity whose main attraction to visitors now is somewhere to go be disappointed. Whoever thought London was city of bowler-hatted people?
The Strata building plopped in the middle of The Elephant and Castle is out of place, a freak alone in a run down area not regenerating it but mocking it. It would have been better renovating the existing buildings from the 1960s, which are generally sound but neglected.
One Hyde Park cost £500 million and took five years for architects 3XN and AEW to build. It has been described as a:” "Great location but money can't buy you taste!"and derided by Building Design for having "sterile gardens", "desolate spaces" and the "barren feel of a corporate plaza."
BBC's Salford-based regional headquarters by Wilkinson Eyre, Chapman Taylor and Fairhurst Design Group cost £600 million to build and was described by Building Design editor Ellis Woodman: “Visiting Media City UK, it is hard to see how the corporation could set their aspirations any lower. How uncreative can a 'Creative Quarter' be?"
As a reminder of what beauty and grandeur are I have added a view of St. Paul's from down the River Thames showing two of the ugly sisters waiting for the third, Heron Tower, to join them. It shows clearly the ruining of the London skyline. Nearby is a host of threatening cranes: The cranes of destruction.
We have a sense of beauty, balance and harmony from God and these new buildings contravene that. We are being dissociated from our communities in towns and cities by architecture that jars with and offends our inborn need to belong and for the familiar. Contemporary architecture dissociates people and makes them feel out of place in their home towns. Our Urbiscapes are being disjointed by new developments that have no relation to their surroundings or preceding buildings. To Aristotle the golden mean was the desirable middle between the extremes of excess and deficiency. To the Greeks the Mean was an attribute of beauty which, they believed, had three aspects: symmetry, proportion, and harmony. That is a useful way to judge new buildings. I would also look for character, something individual but which nevertheless fits in. Scale is important as our traditional scale here is different from that in other countries. The great buildings were superior to contemporary ones because they made proficient use of decoration and ornament as our Cathedrals and churches show.
What architects need to do, be they international or otherwise, is respect the character of the towns and cities they are designing for and and develop continuity not turn them into characterless muddles with disjunctive buildings nor is it necessary to let architectural anarchy ruin harmony, balance and proportion. The local authorities are supposed to represent their communities not international corporations. I mentioned Aristotle now it is time to mention Plato. What is happening here is as he warned in book eight, chapter four of his famous work The Republic, our democracy is becoming an oligarchy.
I have written previously that: "Local councillors are only elected by a minority of voters and are not therefore fully representative of the public and we need an office appointed by the Crown like a lord lieutenant with responsibility for protecting communities not factions of it. The Office of the Lord-Lieutenant dates from the 16th Century and has the force of tradition behind it at a time when we are victims of unrestrained change for profit at our communities’ expense.”

That was offering a Conservative vision for the future but what can be done now, in practice, is to campaign for a return to local democracy where the elected officials put the interests of their communities first.


(1) Tim Abrahams is associate editor of Blueprint, the UK’s leading magazine of architecture and design
http://www.spiked-online.com/index.php/site/article/10008/
http://www.spiked-online.com/index.php?/site/issues/C20/
http://www.europe-re.com/system/main.php?pageid=2616&articleid=13019
http://www.building.co.uk/news/work-begins-to-lift-shard%E2%80%99s-spire-into-place/5025132.article
http://www.guardian.co.uk/artanddesign/2011/jan/30/shard-renzo-piano-london-bridge


(2) http://karlsharro.co.uk/ambition-architecture.htm
http://www.spiked-online.com/index.php/site/article/7915/


(3) http://www.birmingham.gov.uk/cs/Satellite/library-of-birmingham?packedargs=website%3D4&rendermode=live


(4) http://www.guardian.co.uk/artanddesign/2010/oct/20/one-new-change-st-pauls
http://www.knowledgeoflondon.com/modern.html

Friday, 19 August 2011

Architecture and Community



 First published at Amerika.org
The basis of human amity and enmity is heritage, and from this comes culture which is like an emotional womb that civilizes people and nurtures them in traditional mores and values.
Architecture is part of that culture. Co-operation as well as division is nullified or established in the local and national character that stems from it.
The closely knit, organic, custom-oriented form of communal living that corresponds to traditional society is coming apart and being replaced by individualism, impersonality and contractualism which arise from volition and personal interest rather than from the complex of affective states, habits, and traditions that underlie community. These bring benefits for the cosmopolitan elites but a sense of loss and futility to the population as a whole.
After the Second World War Socialism became intellectually dominant — a sense of shame at our past and achievements was inculcated in the population, and led to an ineluctable weakening of national identity.
The elites began to dismantle England and refashion it. Social engineering was general and started to be used in architecture and planning as much as in education and entertainment. Its aim was to change the physical and mental environment, and thereby change people, who were seen as plastic and malleable. The theory was that planned council estates could change people for the better.
The Country Planning Act 1947 was an Act of Parliament passed by Clement Atlee’s Socialist government and came into effect on 1 July 1948 with the Town and Country Planning(Scotland) 1947 Act. It was a Socialist Act to plan and rebuild our world and bring Social Engineering into town planning. To separate us from our history and traditions and refashion us for “The New Jerusalem.”
The fundamental requirement of the Act was to establish the requirement for planning permission for land development; ownership alone was no longer enough to develop the land. Power was being transferred to local authorities and therefore local elites.
Marxism was intellectually fashionable before the war as the ruling classes were effete and could not counter it. In 1938, Leeds City Council built Quarry Hill Flats to commemorate the Marxist insurrection against the government in Karl Mark Hof, Vienna in 1934. It was the largest housing scheme in the country and used the latest ideas and techniques. The flats had solid fuel ranges, electric lighting, the latest refuse disposal system and communal facilities. But, the steel frame and concrete clad construction was faulty, and the flats had to be demolished in 1978.
Park Hill flats in Sheffield was a Marxist utopian development in 1962. They are of the “Streets in the Sky” copied from the eastern Bloc. They broke from developing along natural lines and keeping to essentials for community like houses in rows at ground level and built artificial “streets” outside the front doors of tower block flats. Milk floats would go up in service lifts and on to the ‘streets’, deliver the milk, go back into the service lift and up to the next floor. Reality came home when a child was knocked over and killed by a float in the unsuitable street area.
Liverpool communities with Liverpool identities were dispossessed to New Towns — rationalist, Utopian schemes. The theory was from the Corbusian model of “uniformity in the part, variety in the whole,” which was necessary to produce the “house machine” or “A machine for living in.”
These schemes often emphasized pedestrian movement, as envisaged in Corbusier’s theoretic “Radiant City”or his “Unite” development in Marseilles. The new town of Skelmersdale was designed to separate vehicles from pedestrians with a system of courtyard layouts and cul-de-sacs emerging off spine streets, which led to disproportionate costs in street cleaning, refuse collection, ground and street furniture maintenance and, particularly, policing. It was built on an old coalfield and around a series of deep clefts in the moor side that go down into the middle of the town, which means that extensive ground remediation and stabilisation was and is required for any construction.
It was built using innovative and experimental techniques -– but these were deeply flawed, requiring expensive remedies. Many houses had central heating outlets in the ceiling. The fact that heat rises was ignored, so the bedrooms were heated moderately well but not the downstairs rooms. And it is possible to punch a hand through walls because the houses’ metal frames are corroded and the concrete slabs have collapsed.
Imposing change in people’s physical environments creates feelings of futility and self-loathing. It had a similar effect on the Canadian Innu, who were moved by the government into specially built estates. The Innu were forcibly transformed into Canadians, just as Britons are being forcibly transformed into ‘citizens of the world’ and like us, the Innu had their past erased and are being offered nothing for the future – despair has set in, as it is setting in on Britain’s sink estates. The Innu were dispossessed by a different ethnic group Canadians (Globalists) whereas we are being dispossessed by our own elected representatives (Globalists). As with our youngsters the deculturation of the Innu manifests in drug and alcohol abuse and petty crime.
Many of our young people are aimless, lacking in self-respect, without tradition or a sense of being part of something. Many of them prey on their own people. There have always been people at the bottom of the pile, but they used to develop within a cultural tradition to which they belonged. Most Young people do not misbehave out of endemic wickedness, but because they have been decultured and are lacking the moral scaffolding provided by a vigorous and thriving culture. Pride and self-worth are replaced by despair and self-loathing. This is one of the reasons people use drugs to escape the pain of living in such places.
People’s instincts to bond with their land and people are thwarted by buildings that separate them from one another and are not physically conducive to developing community spirit — the sense of belonging and of knowing with whom you belong.
A nation and its communities is an extended family: a nation is a group of people who identify with one another and believe in a common ancestral origin. The bonding process through which all nations pass is not merely cultural, but to also biological through intermarriage, yet the culture moulds community and transmits the appropriate ways of behaving.
Our once familiar Urbiscapes are having their sense of balance and harmony destroyed and replaced by muddles – jumbles of skyscrapers that are not in relation to their surrounds but disjointed, not in harmony.
Through a combination of social, cultural, political and environmental pressures, many young people in this country are being dissociated from their national identity, severed from civilizing structures that their ancestors could take for granted. Buildings need to develop from traditions and renew those traditions with the sense of familiarity to helping civilise young people and minimise the attacks on their own people we now have.
Architecture is presented as an aesthetic matter: which period is more beautiful or pleasing than other periods; does a particular building have aesthetic merit or should it be demolished? But architecture embodies our history and represents where our forebears were born and raised; yet contemporary architecture has a negative affect on our communities as it dissociates local people from their towns and cities. This is the atomisation of communities.
People get a sense of belonging and even identity from their architectural surroundings.
Our town and city centres are being changed from the warm, welcoming places of historic buildings, into disjointed, jumbles, that dissociate people from their home towns and communities. There is more to architecture and town planning than the aesthetic appearance. We must discuss what cliques of commercial elites are doing to our physical environment and to try to create the right climate for the continuity of traditional towns and cities by buildings that have cultural meaning.
The spirit of the contemporary age is expressed in contemporary architecture, while history and identity are expressed in historic architecture. Town and city centres, or Urbiscapes, as I call them, are being turned into jumbles of buildings without harmony or balance; the buildings being erected have no relation to those around them and are unpleasant muddles. Culture aids identity and to be healthy people need to be brought up in it to fit in properly.
If you talk to local people they tell how appalled they are at what is being imposed on them. Architecture is part of our culture and in a world that is decultured people have to search for roots – to be anchored in something deep and important that invests our lives with meaning and stability. A young Indian woman told me how a visit to India to see her grandparents had put her in touch with her culture. I explained that that is why I go to historic (traditional) towns. It seems strange doesn’t it? A man in his own country having to search for his culture!
This is about our identity, which is a reciprocal relationship between people and the places in which they live. Building on what we have in a similar scale and style maintains continuity and helps to focus culture and identity. National and local governments alike are destroying places that are sanctioned by time and use, where communities have grown up and grown together.
The emergence of Modern Man was optimistic with a sense of release from dark prejudices but this has left people bereft with a sense of loss. They form artificial communities like gangs and prey on other people. Modern rationalism and architecture is part of what had liberated people from closed societies. The eradication of old restraints prompted a vision of society in which the parochialisms and animosities of a world founded upon kinship, village, and church would be abolished but led to loss and futility.
The coldness of modern cities is depressing, causes unhappiness and a sense of loss and dissociates people who lose touch with their roots and environments, whereas the use of traditional buildings maintains the town’s core identity and gives local people a definite sense of history, identity, belonging, and well-being.
An important factor is the break from traditional form. As T.S.Eliot explained tradition is renewed but altered by new additions like steps through time which is how change is normally effected, not by grand schemes that break the tradition and do not fit into their surroundings. This adds to the deculturation of local people who cease to feel they belong. Architecture needs to grow from tradition which helps anchor people in their community.
This architectural deculturation of our towns and cities causes a sense of futility, of no future, as it removes a lot of the grounding people need to thrive. But the use of traditional buildings maintains the local identity and gives local people a definite sense of belonging and well-being; a positiveness and a belief in the future which is lacking in decultured young people.
Tower blocks, office buildings, places dominated by them repel and dissociate local people.
New buildings are standard, international and cold with no relation the traditional buildings that engendered affection in people and rooted them in their cities. You could be anywhere.
Standard new buildings are beginning to overwhelm the warmer, more attractive old ones and councils need to rebuild some of the beautiful old ones they demolished to strengthen local identity.
Tourists can not understand why we are destroying our culture. But we are not. It is imposed on us by local councils which have no true legitimacy to do this and most of it must be reversed by rebuilding our beautiful buildings in facsimile.